entertainment
The very best in geek and comic entertainment.
Why Historical Fashion Is Anti–Fast Fashion
Fast fashion thrives on speed. New drops every week, micro-trends born on social media and forgotten just as quickly, clothes designed to be worn a few times and replaced. Historical fashion, on the other hand, operates on a completely different philosophy. It values time, craft, and intention — and that’s exactly why it stands in quiet rebellion against fast fashion culture.
By Aditya Agarwalabout a month ago in Geeks
How Bars Can Reduce Walkouts During Busy Nights
Busy nights at bars often feel like a mix of rising energy and rising queues, and patrons can grow impatient when service slows down. Many guests step out thinking they will return soon, but they end up leaving for good. Smart planning can reduce this loss and help bar owners keep guests inside the venue longer. Tools and smooth coordination matter here, as they support the flow of orders and reduce long waiting times. A well planned bar queue management system adds clarity to the service flow. In this blog, you will learn how bars can lower walkouts on crowded nights.
By Amelia lukeabout a month ago in Geeks
iPhone 17 Is Coming – Here’s Why Everyone Is Obsessed Already
iPhone 17 has already captured the attention of millions of tech enthusiasts, even though Apple hasn’t officially announced it yet. Over the past few days, search traffic for iPhone 17 has surged in the United States, as users try to find out what new features it will bring, how it will compare to previous models, and whether it’s worth the hype. The excitement surrounding the iPhone 17 reflects both Apple’s marketing power and the curiosity of loyal users who want to stay ahead of trends.
By America today about a month ago in Geeks
The Boy in the Rain
I didn’t go for the game. I went for my nephew. He’s twelve, wears a faded jersey two sizes too big, and talks about football like it’s scripture. “It’s not just running and tackling, Uncle,” he’d said, eyes wide. “It’s about heart. About who shows up when no one’s watching.”
By KAMRAN AHMADabout a month ago in Geeks
What Time Is Stranger Things Finale Coming Out Worldwide
The wait for the Stranger Things finale has felt longer than any upside-down winter. Fans did not just follow a show. They grew up with it. They watched kids on bikes become young adults facing real loss, fear, and courage. Now, as the end approaches, one question keeps echoing across search bars and late-night group chats: what time is Stranger Things finale coming out? This is not casual curiosity. It is emotional preparation. People want to plan watch parties, avoid spoilers, and sit with the final moments properly. This article breaks down the release timing, global differences, viewing habits, and why this finale feels heavier than most. It is about timing, yes, but also about saying goodbye.
By Muqadas khanabout a month ago in Geeks
Top 10 Lifetime Villainesses of 2025 (Part 2: The Top 5)
2025 was kind of a special year for Lifetime movies. I mentioned in Part 1 that we saw angles that were very new to the Lifetime film scene, but we also saw a good amount of star power as well in thrillers. In thrillers! Lifetime usually saves the big guns for holiday films and true crime retellings, but we saw some interesting names appear for Lifetime this year. Some of them even played villainesses. The casting in some films has given this fan hope for future films, but that's another few stories.
By Clyde E. Dawkinsabout a month ago in Geeks
The Most Romantic Thing about Before Sunrise
A love story is two people meeting and deciding to be together. The film 'Before Sunrise' is a little different. Two people meet on a train and decide to spend the day together. The film was released in 1995 and was directed by Richard Linklater. The film is a series of 3, and the two that follow are Before Sunset and Before Midnight.
By Aashna Woodinabout a month ago in Geeks
Ikkis': Meet Brigadier Khwaja Mohammed Naseer; Pakistani army officer played by Jaideep Ahlawat in Sriram Raghavan directorial Dharmendra’s last film. AI-Generated.
Sriram Raghavan’s upcoming film Ikkis is already generating conversation, not for spectacle or box-office hype, but for the depth of its characters and the weight of its legacy. Among the most intriguing elements of the film is the portrayal of Brigadier Khwaja Mohammed Naseer, a Pakistani army officer brought to life by Jaideep Ahlawat. In a story that also marks Dharmendra’s last on-screen appearance, Ikkis promises to be a reflective, character-driven cinematic experience that looks beyond borders and binaries. Unlike conventional war films that rely heavily on action and nationalist rhetoric, Ikkis is being positioned as a human story set against the backdrop of conflict. Brigadier Khwaja Mohammed Naseer is not introduced as a stereotypical antagonist. Instead, he is written as a professional soldier shaped by duty, history, and personal conviction. This nuanced approach is very much in line with Sriram Raghavan’s storytelling style, where moral ambiguity often replaces clear-cut heroes and villains. Jaideep Ahlawat’s casting has been widely appreciated, and for good reason. Known for his intense screen presence and ability to convey complexity through subtle expressions, Ahlawat is well-suited to portraying a high-ranking military officer from across the border. His performance reportedly focuses on restraint rather than aggression, making Brigadier Naseer a character defined by internal conflict as much as external circumstance. For audiences used to loud, one-dimensional portrayals of military figures, this represents a refreshing shift. The character of Brigadier Naseer also serves a larger narrative purpose. By presenting a Pakistani officer with depth and dignity, Ikkis challenges the audience to rethink how “the other side” is usually depicted in Indian cinema. The film does not dilute patriotism; instead, it reframes it by acknowledging that soldiers on all sides are shaped by similar values—discipline, sacrifice, and loyalty—while being trapped in opposing national narratives. At the heart of Ikkis is Dharmendra, whose final film adds an emotional layer to the project. A legend whose career spans generations, Dharmendra’s presence gives the film a sense of closure and reverence. His performance is said to be understated, relying more on silence and reflection than dramatic monologues. In this context, characters like Brigadier Naseer become essential mirrors, reflecting the shared humanity that transcends uniforms and flags. Sriram Raghavan’s direction further elevates the material. Known for thrillers with sharp edges, he reportedly adopts a calmer, more contemplative tone in Ikkis. The focus is on conversations, glances, and moments of moral reckoning rather than large-scale set pieces. Brigadier Naseer’s character fits seamlessly into this vision, becoming a symbol of the unspoken cost of decades-long hostility. What makes Ikkis particularly relevant today is its timing. In an era of heightened polarization, films that dare to humanize the “enemy” often face scrutiny. Yet, they are also the ones that leave a lasting impact. By including a character like Brigadier Khwaja Mohammed Naseer, the film invites viewers to engage with discomfort, empathy, and complexity—qualities often missing from mainstream war narratives. For Jaideep Ahlawat, Ikkis represents another milestone in a career defined by unconventional choices. Playing a Pakistani brigadier in a film headlined by Dharmendra is both a challenge and an opportunity. Early reactions suggest that his performance avoids caricature, focusing instead on quiet authority and emotional intelligence. Ultimately, Ikkis is not just about history or conflict; it is about perspective. Brigadier Khwaja Mohammed Naseer stands as a reminder that behind every uniform is a human being shaped by circumstances beyond their control. As Dharmendra bids farewell to cinema, the film leaves audiences with a thoughtful message: understanding does not weaken a nation—it deepens it. For Vocal Media readers, Ikkis offers more than film news. It offers a conversation about storytelling, courage, and the power of cinema to bridge divides, even if only for a few meaningful hours on screen.
By Fiaz Ahmed Brohiabout a month ago in Geeks











