Latest Stories
Most recently published stories in Beat.
The Kinks’ “All Day and All of the Night” Belongs Among the Greats
There’s a moment, about twenty seconds into “All Day and All of the Night,” when Ray Davies’ voice cracks just slightly on the line “I’m not content to be with you in the daytime…” It’s not a flaw, it’s the sound of something raw and urgent, the kind of imperfection that makes rock ‘n’ roll feel alive.
By Diane Fosterabout a month ago in Beat
'20/20'. Top Story - January 2026.
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghanabout a month ago in Beat
Future Signee ZeetheWizard On Life Support Following New Year's Day Shooting
It’s of course a shame when anyone at the age of twenty-two has to fight for his or her life, but it is especially tragic when this figure was just about to launch into a positive position.
By Skyler Saundersabout a month ago in Beat
Next Rappers Set to Blow Up
Every major rap breakout looks sudden from the outside, but it almost never is. Before the blogs, before the label announcements, and before the mainstream saturation, artists enter a quiet acceleration phase. Their streams grow steadily. Their names start appearing in search results. Fans feel like they’re discovering something early. That’s the moment where the next wave lives.
By RapRadarDigestabout a month ago in Beat
Unsigned Rappers You Should Know
The definition of “unsigned” in hip-hop has evolved. In the past, it meant an artist was waiting for a deal. Today, many of the most interesting rappers are unsigned by choice, not by circumstance. They aren’t lacking access—they’re building leverage. Inspired by artists like LaRussell, this new wave prioritizes ownership, community, and long-term control over short-term advances.
By RapRadarDigestabout a month ago in Beat












