Stream of Consciousness
Michael Savage Shares Top Accounting Tools for Entrepreneurs
It takes vision, discipline, and the right tools to run a business. Mike Savage is a successful businessman from New Canaan, who has always stated that smart financial management forms the backbone of any successful enterprise. Technology has made accounting easier, accurate, and more accessible than ever. With the right tools, entrepreneurs can reduce errors, save time, and thereby make better decisions for their success in the long run.
By Mike Savage New Canaan3 months ago in Writers
Saving The Job
Anne Bernays and Pamela Painter — What if? Writing Exercises for Fiction Writers prompts — The Exercise - On each of five 3x5 index cards, print a vocational label, for example, dentist, truck driver, or fashion model. On each of a second set of index cards, write a mildly strange or unusual behavior. The mistakes here are to be too mundane (brush teeth, clear car) or to be too melodramatic (strangled her lover, drove his flaming truck through the prison walls). Somewhere between lies the quirk of the odd that is interesting: set free the parakeet, pick lose the tennis racket strings, or sew closed his sweater sleeves. Some writers will keep their cards filed for use again and again, and will add to the original pack over time as interesting vocations or actions suggest themselves. Shuffle each pack of cards (not together) and turn over the first pair. The writer may now ask the following question: "Why did Card A do Card B?" Why did the dentist set free the parakeet?" "Why did the fashion model pick loose the tennis racket strings?" The writer may continue flipping cards until a satisfactory pairing is discovered. If no satisfactory pair develops, reshuffle the cards and repeat the procedure. If you have ten cards in each pack you will have 100 possible pairings; twelve cards per pack will yield 144 pairings. Bear in mind that the event suggested by the Story Machine should be thought of as the last scene of a story. Supply motive for the odd behavior. Supply a conflict that might be resolved by this behavior. Imagine a scene prior to the final scene that demonstrates the severity of the conflict. Imagine a scene that demonstrates the initial difficulty. This exercise may easily be adapted for a class. Instead of shuffling, students pass cards one way and then another so that no student is left with any of her original cards. The liberating outcome is that if the new pair lacks all resonance for a student, the student has no emotional investment in the product of the Story Machine. No one has made a mistake or performed badly, just some bad luck has occured. Class discussions of motive and structure can be lively. The Objective - Retrograde plotting is often a revelation to the beginning writer who has again and again found herself staring off into the space above the typewriter and asking, "Now what happens?" Writing toward a conclusion for some writers is easier than exploring the consequences of an imagined premise. One more easily discovers the beginnings of things if one knows the ending. That the Story Machine requires vocational labels gives students insight to the rudiments of characterization, as such labels suggest education levels and socioeconomic status.
By Denise E Lindquist3 months ago in Writers
Reworking A Story That Was Submitted To A Challenge
Anne Bernays and Pamela Painter — What if? Writing Exercises for Fiction Writers prompts — The Exercise - Take a story you have completed and go through it and intensify the conflict, magnifying the tension and shrillness at every turn, even to the point of absurdity or hyperbole. Add stress wherever possible, both between characters and within them as individuals. Exaggerate the obstacles they face. Be extreme. The Objective - To create an awareness of the need for a high level of tension while encouraging a healthy regard for how easily it can become excessive. This exercise is not meant to "improve" the story, although it often provokes new and more dynamic descriptions and dialogue. It raises the writer's consciousness about the need for conflict in fiction.
By Denise E Lindquist4 months ago in Writers
Lost Between Mirrors and Time
Here Luccian Layth is reflecting on what the self may be re-refracted in its mirror, between trial and betrayal, between inner death and inner light, the existential question takes place towards eternity, nothingness, and the Creator. It is a poetic excursion, between suspicion and definite affirmation, between obscurity and radiance, in which the way itself is the creature and the creature is the way.
By LUCCIAN LAYTH4 months ago in Writers
The Voice Refined Through Another Medium
For centuries, words have been the vessels of human thought, the means by which understanding passes from one heart to another. From quills and typewriters to keyboards and screens, the tools have changed, but the mind behind the message has not. Now, in the age of artificial intelligence, some claim that words refined through its assistance cannot be fully human. They say that if an essay or reflection has been shaped, polished, or expanded by an AI tool, then its authenticity is somehow diminished. Yet that belief mistakes process for purpose. The truth of writing does not depend on how the words are arranged, but on who the words come from.
By Peter Thwing - Host of the FST Podcast4 months ago in Writers
Here Comes Judge!
Anne Bernays and Pamela Painter — What if? Writing Exercises for Fiction Writers prompts — The Exercise - Look in your files for a story that seems stuck, a story that has a story block. Next, write at the top of a separate sheet of paper the two words. What If. Now write five ways of continuing the story, not ending the story, but continuing the story to up your thinking about the events in the story. Your what if's can be as diverse as your imagination can make them. More than likely, and this has proved true through years of teaching and writing, one of the what if's will feel right, organic to your story and that is the direction in which you should go. Sometimes you will have to do several groups of what if's per story, but that's okay as long as they keep you moving forward. The Objective - To illustrate that most story beginnings and situations have within them the seeds of the middle and end. You just have to allow your imagination enough range to discover what works.
By Denise E Lindquist4 months ago in Writers
Saint Nobody
One night while I was in graduate school at the College of Charleston, I was hanging out with some friends from home who had also relocated to Charleston. We were at Brad and Alicia’s on James Island. Alicia and I took Geology together in undergrad, and I used to work at the jazz club next door to Brad’s bar. Fio and I had daughters around the same age, and they had attended a church day school together as toddlers. I had known her husband, Patrick for quite some time, and I hated her ex-husband, Todd, almost as much as she did, for different reasons.
By Harper Lewis4 months ago in Writers
