🏔️Mysterious metallic pipe found in a remote mountain, embedded in solid rock
Baigong Pipes (China)

High in the desolate reaches of China’s Qinghai Province, near the banks of a salty, windswept lake called Tuosu, a rocky mountain known as Mount Baigong juts out of the earth with an eerie presence. Its name, Baigong—or “White Palace”—has long been tied to local folklore, but in the late 1990s, it was thrust into the spotlight for something far more tangible and mysterious: embedded within its cave walls and nearby lakebed were strange, metallic-looking tubes—rust-red, hollow, and seemingly purposeful. These objects, later dubbed the “Baigong Pipes,” appeared to defy natural explanation. From their placement and appearance to their chemical makeup and alignment, the pipes have confounded visitors, stirred online forums, and inspired both scientific investigation and wild extraterrestrial speculation.

The story begins in earnest when a group of scientists, explorers, and reporters visited the site and discovered these unusual formations inside one of three cave mouths on the mountain. The largest of the caves is triangular in shape and rises some six meters high. Within it, pipes emerge from the rock, some as wide as 40 centimeters, others needle-thin. More lie on the ground like discarded fragments of some ancient plumbing system. The tubes don’t just sit in the cave—they run deep into the rock and are also found scattered along the shore of Tuosu Lake, protruding from sediment layers and even rising up from beneath the lakebed itself.
At first glance, their configuration and color suggest corroded iron pipes long abandoned by some forgotten civilization. Their uniformity, strange placement, and integration with the natural environment make them appear engineered. The layout seemed too deliberate to be random. Some run vertically, others horizontally, and many pierce deep into rock and soil, as though they once carried something—water, steam, or even energy.
Naturally, the unusual appearance of the Baigong Pipes sparked speculation, much of it unscientific. Some fringe theorists suggested that the pipes were the remnants of a prehistoric advanced civilization lost to time, potentially one that understood metallurgy long before humans were supposed to. Others went even further, claiming extraterrestrial involvement. The close proximity of a pyramid-like rock formation on the mountain only fueled these ideas. If one were to believe the conspiracy-minded, these pipes, and the supposed pyramid, were ancient alien technology—perhaps part of a long-lost refueling station or communications array left by visitors from beyond the stars.
But what does science have to say? When analyzed by Chinese researchers and geologists, the pipes turned out to contain approximately 30% ferric oxide, with additional components including silicon dioxide and calcium oxide. Curiously, around 8% of the material composition could not be identified using standard methods. This, of course, only added fuel to conspiracy theories. But scientists urged caution. The unknown percentage didn’t necessarily point to alien materials—it could just as easily be due to contamination, measurement limitations, or complex mineral combinations not yet fully cataloged.

More telling than the chemical composition was the discovery of organic matter within the pipes. Some tests revealed the presence of plant remains, and microscopic analysis even uncovered what resembled tree ring patterns. These findings strongly hinted at a biological origin. Rather than being forged and placed deliberately, these “pipes” may have formed from plant roots—possibly trees—that had once grown in the area and were subsequently buried by mineral-rich sediment. Over time, iron and other materials from groundwater may have seeped into the organic structure, replacing it while preserving its hollow, root-like form. This process is known as fossilization or diagenesis and is not uncommon in the geological record.
The fossil root hypothesis gained further traction when geologists pointed to similar formations found elsewhere in the world. In parts of the United States, such as Louisiana and Pennsylvania, iron-rich sediments have formed root casts that resemble tubes—almost indistinguishable from man-made pipes unless subjected to close scientific scrutiny. In these regions, the root systems of trees and plants were buried under layers of mineral sediment during floods, and over thousands of years, they fossilized, resulting in iron “pipes” that look deceptively industrial.
Back at Mount Baigong, the presence of a high-salinity lake, the mineral composition of the surrounding rock, and the region’s ancient history of geological activity make this explanation plausible. The landscape was likely subjected to flooding and mineral deposition events over vast stretches of time. Trees or other vegetation growing on what was once a wetter landscape may have died and been rapidly buried, their organic structures slowly replaced by iron oxides and silicates seeping through the porous sediment layers.
Still, not all agree on a purely natural explanation. Some researchers and enthusiasts point to the alleged pyramid formation nearby, although close inspection reveals it to be a natural rock feature rather than any constructed monument. There are no inscriptions, no tools, and no trace of habitation—only the pipes and the mountain. Others focus on the dating results. Thermoluminescence tests—used to determine when minerals were last exposed to sunlight or heat—suggest an age of up to 150,000 years, with some claims even stretching to 450,000. If the pipes were indeed man-made and this old, they would predate known metalworking by over 100,000 years.

Yet this dating remains contested. Thermoluminescence is highly sensitive to contamination and geological disturbance. Many geologists argue that the ages likely reflect the surrounding sediments or natural minerals, not the pipe-like structures themselves. Without clearer stratigraphic context and cross-confirmation through other methods, the dates must be taken cautiously.
Despite the scientific evidence supporting a geological origin, the allure of the Baigong Pipes endures. In part, that’s because of their visual impact—red iron tubes snaking through stone just look unnatural. They catch the imagination and invite wonder. In part, it’s due to our deep-rooted fascination with the unexplained: the idea that maybe, just maybe, there’s more to our ancient past than the textbooks tell us. Stories of forgotten civilizations, alien visitations, and buried truths have always gripped human curiosity.
Even the Chinese government briefly capitalized on this mystery. In the early 2000s, a space research center was reportedly set up near the site, not for serious alien investigation, but to promote local tourism and capitalize on the “extraterrestrial” buzz surrounding the pipes. Signs reading “Alien Relics Site” were erected, and the area drew curious onlookers, researchers, and conspiracy theorists alike. While the scientific community largely dismissed the alien theory, they welcomed the public interest—it provided an opportunity to educate people on natural geological processes that are just as fascinating, if not as fantastical.
Ultimately, the Baigong Pipes serve as a case study in the importance of careful scientific observation. What seems artificial at first glance may turn out to be entirely natural when placed in proper geological context. Their story underscores the fact that nature often creates formations that mimic human engineering. From hexagonal basalt columns to perfect spherical boulders, the planet is full of formations that appear designed but are born of time, pressure, and chemistry.

So are the Baigong Pipes the relics of an ancient civilization, a lost technology, or alien machinery? Most likely, they are neither. They are the petrified remains of long-dead roots—an echo of a much older landscape, immortalized by the slow but relentless processes of geology. And yet, in a way, they are still relics. Not of spacefaring visitors, but of Earth’s own deep history—reminders that time and the planet itself are capable of creating wonders more mysterious than anything we could invent.
About the Creator
Kek Viktor
I like the metal music I like the good food and the history...



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