Screenplay
AI as a Reflective Surface
Much of the confusion surrounding artificial intelligence comes from treating it as an agent rather than a surface. When people speak about AI “doing the thinking,” “creating the ideas,” or “speaking for someone,” they are often projecting agency onto a system that does not possess intention, belief, or understanding. This projection obscures what is actually happening in many real-world uses. In those cases, AI is not acting as a source of meaning, but as a surface that reflects, redirects, and reshapes what is already present.
By Peter Thwing - Host of the FST Podcastabout 4 hours ago in Critique
When Is a Move Final?
The Commitment Problem in Modern Chess Modern chess operates under a fractured commitment model that no longer aligns with how players think, how turns function in most games, or how chess itself is actually played across physical and digital formats. At the heart of the problem is that chess treats physical contact with a piece as binding commitment while simultaneously relying on a separate explicit action to end a player’s turn. This creates a logical contradiction: a move becomes final before the turn is over. In most turn-based games, interaction with game components is provisional until the player explicitly signals the end of their turn. Chess is an anomaly in this respect, and the inconsistency becomes increasingly visible in modern play.
By Peter Thwing - Host of the FST Podcast8 days ago in Critique
"Challengers" Movie Review
Challengers is a triumphantly sexy cinematic rollercoaster ride, too incredulously fun not to watch. Tashi Duncan is played by Zendaya, the exceptionally emotive young movie star. Matched against her are two gorgeously nerdy-looking young players, Mike Faist as Art Donaldson and Josh O’Conner as Patrick Zweig. All three have the blessing of great chemistry whenever they spar across screen. Alongside their star qualities are bouncing timelines, demonstrating a lifetime of flagrantly competitive choices that create a trail of wasted potential and misguided lust. Director Luca Guadagnino really knows how to make a graceful yet scandalous picture. Trent Reznor and Atticus Ross's EDM score intensifies the thrill of tennis and prideful characters up to an eleven. After watching Challengers multiple times, I am forced to argue that all sporting events should henceforth take place at a fist-pumping rave. When first hearing about this movie, I thought the entire plot had been offered up within the two-minute trailer. Two friends like a tennis star. Tennis star has a career-ending injury. Tennis star picks blonde boy, and brunette boy is angry. Audience members think they have digested the full ingredients of the film before getting their soles sticky from the theatre floor. Yet, this new-age masterpiece is anything but a simple meal.
By Spider Black26 days ago in Critique
The Lost City of Z
The Lost City of Z by David Grann Growing up I thought I wanted to be an archaeologist. Now that I’m a ripe 32, I realize what I really wanted to be was an adventurer–someone who dug deep into the dark and emerged with treasures unseen for millennia.
By Matthew J. Fromm28 days ago in Critique
Mistakes in Stranger Things - Season 5
Stranger Things 5: A Train Wreck of Lazy Writing and Brand Blunders When Stranger Things first dropped in 2016, it was a masterpiece of atmosphere and tight storytelling. It felt like a love letter to the 80s. Fast forward to Season 5, and that love letter has been shredded. What we got instead was a bloated, nonsensical mess that felt like the creators were just checking boxes to get it over with. It wasn't just a disappointment; it was a total collapse of the logic and stakes that made us care about Hawkins in the first place.
By Teodor Monescu28 days ago in Critique
Stranger Things Season 5, Episode 4— Review & Analysis
Episode 4 is one of the most psychological episodes of the season. Every character is fighting not only monsters, but also their own fears, memories, and inner worlds. Through Will and Max especially, the show explores a powerful theme:
By Ceyda Uztosun2 months ago in Critique
Stranger Things Season 5, Episode 3— Review & Analysis
Episode 3 builds the emotional core of the season. The show focuses on vulnerable children, parents carrying old guilt, and the thin line between what is seen and what is hidden. This episode develops both the characters and the growing danger in a very balanced way.
By Ceyda Uztosun2 months ago in Critique
Stranger Things Season 5, Episode 2 — Review & Analysis
1. Opening Scene & Immediate Tension Episode 2 starts with a pretty wild moment: the Demogorgon finally shows itself to Mrs. Wheeler, and she realizes that Holly wasn’t just imagining things. The scene is loud, chaotic, and honestly more emotional than I expected.
By Ceyda Uztosun2 months ago in Critique
Stranger Things Season 5, Episode 1 — Review & Analysis
1. Opening & Atmosphere The season opens with a nostalgic scene: Will, the Demogorgon, and the iconic “Should I Stay or Should I Go”… It’s a direct callback to Season 1. Right after that, the breakfast scene brings back Hawkins’ familiar warmth. But the calm doesn’t last long; the town is completely sealed off and under military control.
By Ceyda Uztosun2 months ago in Critique
