classical
Beat showcases all things classical; get your fix of Beethoven, Bach and beyond with plenty of Pomp and even more Circumstance.
What to Expect in Your First Bellevue Piano Lesson
Starting piano lessons is an exciting and bewildering experience, especially if you have not yet ventured to the keys. If you are a complete novice or a resurrection of past learning, your initial piano lesson is a gigantic leap towards learning music.
By Pianoramic Studios9 months ago in Beat
The Monkey and the Bear's Great Forest Feast. Content Warning. AI-Generated.
Deep in the heart of the Whispering Woods lived two animals as different as night and day. Miko was a mischievous little monkey who swung through the treetops, chattering, playing pranks, and picking fruit. He was quick-witted, curious, and always full of energy. But he was also impatient and didn’t like working with others.
By Sami Ullah9 months ago in Beat
The Lamb That Roared
In a quiet valley cradled by mountains and painted in soft shades of green and gold, there lived a flock of sheep who followed the same paths, ate from the same fields, and spoke in whispers. Life was predictable, and for most of them, that was enough.
By Nauman Khan10 months ago in Beat
And So It Begins
[This is the first scene in a musical I've wanted to compose for the Nativity for quite some time now. Above you will find my thoroughly inadequate rendition of the scene. Below you will see my shorthand system of notation for melodies & chords. Numbers reference the steps of the diatonic major scale where the Roman numeral I is for the root & alterations are signified by ɓ or #. Eighth note durations are indicated by ' with sixteenth durations indicated by x & sustained notes by a long dash. Measures are separated by |. Anything in italics that is not a part of the actual song are stage directions or explanatory notes. I hope you enjoy.]
By Randy Wayne Jellison-Knock10 months ago in Beat
The Anunciation
[This is the second scene in a musical I've wanted to compose for the Nativity for quite some time now. For decades I have loved this refrain but not been satisfied with any other part of it..., until now. I think I may have finally figured out something for the verses, thanks to this challenge. Above you will find my thoroughly inadequate rendition of the scene. Below you will see my shorthand system of notation for melodies & chords. Numbers reference the steps of the diatonic major scale where the Roman numeral I is for the root & alterations are signified by ɓ or #. Eighth note durations are indicated by ' with sixteenth durations indicated by x & sustained notes by a long dash. Measures are separated by |. Anything in italics that is not a part of the actual song are stage directions or explanatory notes. I hope you enjoy.]
By Randy Wayne Jellison-Knock10 months ago in Beat








