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If God Mended With Gold

Inspired by a conversation on Threads.

By Carolina BorgesPublished 8 months ago 1 min read
Even what’s been broken can be made more beautiful—this is the art of Kintsugi: not hiding the cracks, but highlighting them in gold.

There is a hush
that settles on the world
after the rain—
as if heaven itself
needed to cry
before remembering
how to be gentle again.

I wonder
if this is how God feels
when we go quiet.

When we step outside
not to speak,
but to listen—
to the wind through pine needles,
to our own breath
returning to rhythm.

In Japan, they say
a bowl once shattered
can be made whole
with veins of gold.
Kintsugi.

What if faith works the same way?

What if the cracks
in my devotion
don’t shame Him,
but give Him
a way in?

I am not less holy
because I’ve broken.
Only more
capable
of holding Him.

Author’s Note:

This poem was inspired by a beautiful exchange I had with a fellow writer (@mrckly on Instagram and Threads) who introduced me to the Japanese concept of mono no aware—a tender awareness of life’s impermanence. That conversation opened a door inside me. One I didn’t even realize was closed.

In exploring Japanese philosophies like kintsugi—the art of repairing broken pottery with gold—I started thinking about my own faith, the times I’ve felt cracked or distant from God, and how maybe the distance itself is a kind of invitation. Maybe the breaking isn’t the end, but a beginning.

This piece is also a quiet ode to my grandfather. He was Peruvian, but always looked Japanese and I've long wondered if there’s some ancestry buried in our lineage. Maybe it's just a feeling. Maybe it’s something deeper. Either way, this poem helped me reconnect: o my roots, to nature, to God.

If you’ve ever felt far from faith, fractured, or unsure where you stand—this one’s for you. We’re still worthy of gold.

If this poem resonates with you, I’d love to hear how you’ve found beauty in your own broken places. Leave a comment, share your thoughts, or send it to someone who might need a reminder: you don’t have to be perfect to be precious.


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About the Creator

Carolina Borges

I've been pouring my soul onto paper and word docs since 2014

Poet of motherhood, memory & quiet strength

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Comments (2)

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  • Aspen Marie 8 months ago

    I think about this often. I occasionally make pottery and kintsugi especially is so magical. Making pottery is this gorgeous meditative process where you shape the clay, decide its purpose, refine it, fire it once, choose what glazes will complement its design, and then pray for your firing to turn out again. Afterwards you have this vessel you've made with so much effort and care, and you use it until it breaks. Then it goes back to the ground. Pretty much how we operate as people. Kintsugi is akin to putting ourselves back together after loss/trauma/reconstitution - when its done well/with grace, it's often more beautiful with its intricacy and conscious thought. Maybe we are running in the same threads of thought - here's one I made along the same lines: https://todaysurvey.life/poets/recomposition%3C/span%3E%3C/span%3E%3C/span%3E%3C/a%3E%3C/p%3E%3C/div%3E%3C/div%3E%3C/div%3E%3Cstyle data-emotion-css="w4qknv-Replies">.css-w4qknv-Replies{display:grid;gap:1.5rem;}

  • Adolfo Dill8 months ago

    This is some deep stuff. The idea of kintsugi and faith is really interesting. Made me think about my own doubts. Do you think it's easier to see the beauty in brokenness when it comes to faith, or is it something we have to learn over time? Also, how do you think we can apply this concept to our daily lives?

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