Commando 3 Movie Review: Commando 3 Movie

Vidyut Jammwal has carved a spot for himself way to his death-defying stunts and his movies which might be common in the motion genre. He’s popularly referred to as the ‘Commando’ actor as he has been part of each of the COMMANDO movies. And now he’s again with COMMANDO three, which like its predecessor guarantees a lot of motion, leisure, and patriotism. So does COMMANDO three control to offer the audiences a paisa-time? Or does it fail to impress? Let’s analyze.

COMMANDO 3 is the story of a secret agent in a race against time to save his country. In Mumbai, two young kids – Usman and Omar – are arrested along with their mentor, Subhan after a tip-off. It is revealed that Umar and Omar’s real names were Rakesh and Amit respectively and they converted to Islam after watching provocative propaganda videos of Burqa Ansari (Gulshan Devaiah). The burqa is someone with no record and even his face is covered in his videos. Hence, the Indian intelligence is unaware of his identity and name. Realizing that he’s planning a major terrorist attack in India and that the festival period is coming up, the senior intelligence official Roy (Rajesh Tailang) asks his most trusted and brave officer, Karanveer Singh Dogra (Vidyut Jammwal), to handle the case. Karanveer finds out that the video and currency notes found in the houses of Usman, Omar, and Subhan were sourced from London. Roy meanwhile realizes that Subhan talked about the 9/11 attack repeatedly and it means that the attack in India will take place on November 9 or 9/11 in other words and incidentally, it’s the day of Diwali. With only 33 days to go for Diwali, Karanveer is urgently sent to London to track down Burqa. He’s helped in this mission by Bhavana Reddy (Adah Sharma) who is now no longer corrupt but still in love with Karanveer. In London, they are provided local help by two British Intelligence agents, Mallika Sood (Angira Dhar) and Armaan Akhtar (Sumeet Thakur). After carefully going through a lot of suspects, the foursome finally manages to find out Burqa's identity and also that he runs a restaurant. Not just that, they also discover that he is divorced from his wife, Zahira (Feryna Wazheir) and that he loves his son Abeer (Atharva Vishwakarma) immensely. Karanveer hence goes after his son and takes him in his custody, along with Zahira, who is aware of Burqa's activities and hence agrees to be a witness. A burqa is so enraged by this turn of events that he decides to advance the date of the attack to catch the Indians unawares. What happens next forms the rest of the film.

Darius Yarmil and Junaid Wasi's story is clichéd and ordinary. But Darius Yarmil and Junaid Wasi's screenplay is where they bring some novelty in terms of a character sketch, twists, turns, etc. that keeps the interest going. However, it should have been consistently entertaining from start to finish for a better impact. Darius Yarmil and Junaid Wasi's dialogues are poor. A film like this ought to have one-liners that should have ideally packed a punch. Sadly, the dialogues here are strictly okay and even quite poor in places.

Aditya Datt's path is neat and he handles it in any such manner that the hundreds might be capable of reveling in and extra importantly, realizing what’s going on. A few of the scenes are deftly handled. The collection wherein Karanveer and his colleagues are monitoring down Burqa whilst in a parallel collection, Burqa is looking down Karanveer may be very properly done. The romantic music is hardly ever there and that’s desirable as no time is wasted with the point of interest being firmly at the tale. On the flip side, the start quantities aren't in any respect exciting or even withinside the 2d half, it takes time for the movie to select out up. Many traits are too unconvincing and tough to digest. Some questions remained unanswered until the very end. No again tale of Burqa is given and audiences in no way come to realize how he has become any such dreaded terrorist, that too via way of means of escaping the radar of the intelligence. It additionally remained doubtful what precisely did Burqa inform in his motion pictures that the kids were given brainwashed to the quantity that a few Hindus became in the direction of Islam. A few snippets of that are proven however it hardly ever makes for a resounding watch.

COMMANDO three doesn’t begin on a super note. The starting quantities appear a piece sluggish and now no longer that engaging. Vidyut Jammwal’s access brings much-wished movement to the movie. The interrogation scene, even though nice, once more slows down the movie. It’s handiest whilst the drama shifts to London that the movie receives truly interesting. The way wherein Karanveer and his colleague's control to song down Burqa are interesting. A scene to look at out for is whilst Burqa is looking at Karanveer’s video on an information channel and receives a surprising jolt! The intermission point, eleven though filmy and overwhelmed to death, arrests attention. Post-c language quantities are whilst the movie once more slides down. The hobby stage drops and a vital collection is stimulated via way of means of the conventional Hollywood movie THE DARK KNIGHT [2008]. Thankfully, the closing half-hour is pretty interesting and massy. It is likewise very handy however the goal audience – the unmarried display viewers – will really lap it up for the reason that makers supply a super message right here on Hindu-Muslim unity.

COMMANDO three belongs to Vidyut Jammwal – no doubts about that! His appearance is not anything super as such however he manages to address the movie on his shoulders. And he does the movement in good enough doses and that’s what audiences could be waiting for the maximum from him. His act withinside the finale could be greeted with whistles and claps! Adah Sharma repeats her act from COMMANDO 2 and is pretty likable. Her humor quotient is much less this time compared to the second component however enthusiasts of Bhavana Reddy won’t be disappointed. Angira Dhar is super because the no-nonsense cop underplays her component. Both the heroines get to do their proportion of movement and it appears authentic. Gulshan Devaiah is menacing and horrifying because of the villain. Watch out for the way his eyes deliver so much! Special point out must additionally visit his British accent – it’s pretty properly done! Anil George (Momin) is wasted and it’s fun to look at him doing comparable roles repeatedly. His man or woman disappears unexpectedly that is pretty weird. Rajesh Tailang is dependable. Sumeet Thakur has a first-class display presence. Feryna Wazheir receives to play a lovable man or woman and does justice. Atharva Vishwakarma makes his presence felt together along with his expressions and he makes certain he doesn’t pass overboard. Virendra Saxena (Subhan’s father) and the actors gambling Subhan, Omar/Amit, Usman/Rakesh, Inspector Tambe, and Zaytun are first-class.

Music has no scope. 'Tera Baap Aaya' is relegated withinside the heritage and works properly withinside the movie. 'Main Woh Raat Hoon' too performs withinside the heritage however doesn’t register. 'Akhiyaan Milavanga' and 'Iraade Kar Buland' are lacking from the movie. Saurabh Bhalerao's heritage rating is racy and exhilarating.

Mark Hamilton's cinematography is captivating, mainly withinside the movement scenes. Andy Long Stunt Team Ltd, Allan Amin, and K Ravi Verma's movement are pretty hardcore and violent. But the stunts via way of means of the actors make for a first-class watch. Juhi Talmaki's manufacturing layout is neat. Sandeep Kurup's enhancement might have been tighter in a few scenes.

On the whole, COMMANDO three is a first-rate movement entertainer that works due to the movement sequences, social message, and a few paisa-vasool scenes. It arrives sans any opposition and hence, has possibilities for paintings withinside the mass centers.